When it comes to the organ, Olivier Latry is not just a musician; he’s a magician. His recent performance at Bath’s Bachfest was nothing short of a masterclass in how to make an instrument as grand and imposing as the organ come alive with emotion, energy, and sheer virtuosity. As the principal organist of Notre Dame Cathedral in Paris, Latry has long been celebrated for his technical brilliance and interpretive depth. But what struck me most about this performance was how he transformed the organ into a living, breathing entity—one that danced, sang, and soared under his command.
The organ is often seen as a static instrument, rooted in its place, with the performer seemingly confined to the bench. But Latry shattered that stereotype. Watching him play was like witnessing a choreographed performance. His feet moved with the precision and grace of a ballet dancer, gliding effortlessly across the pedals, while his hands danced over the manuals with a fluidity that was almost hypnotic. It was a reminder that the organ is as much a physical instrument as it is a musical one, requiring not just mental acuity but also a remarkable level of physical coordination.
Latry’s program was a carefully curated journey through the works of Bach, Franck, and his own improvisations. Each piece was delivered with a clarity and intensity that left the audience spellbound. His interpretation of Bach’s *Prelude and Fugue in E minor* was particularly striking—a perfect balance of intellectual rigor and emotional resonance. But it was his improvisations that truly showcased his genius. Drawing on themes suggested by the audience, Latry wove intricate tapestries of sound, demonstrating an almost supernatural ability to think on his feet (and fingers).
What makes Latry’s performances so compelling is his ability to connect with the audience on a deeply human level. Despite the grandeur of the instrument and the complexity of the music, there’s an intimacy to his playing that draws you in. It’s as if he’s having a conversation with the audience, inviting us to share in his joy, his passion, and his reverence for the music.
In an age where digital technology often dominates the musical landscape, Latry’s performance was a powerful reminder of the enduring magic of live, acoustic music. It was a celebration of craftsmanship, artistry, and the sheer physicality of playing an instrument that demands so much from its performer.
Olivier Latry is not just an organist; he’s a storyteller, a dancer, and a virtuoso who reminds us why the organ remains one of the most awe-inspiring instruments in the world. His performance at Bath’s Bachfest was a testament to the power of music to move, inspire, and transform. If you ever have the chance to see him play, don’t miss it. It’s not just a concert—it’s an experience.
