Voices Carry at La MaMa, but Only a Few Rise Above the Din

The La MaMa Experimental Theatre Club, a legendary institution in the heart of New York City, has long been a haven for avant-garde and experimental theatre. Its latest production, "Voices Carry," promises to push the boundaries of storytelling and performance. Unfortunately, despite the best efforts of its talented cast, the show often struggles to rise above the din of its own ambition.

Directed by acclaimed artist and La MaMa alumna, Rachel Chavkin, "Voices Carry" is a sprawling, multimedia extravaganza that attempts to tackle a wide range of themes, from social justice to personal identity. The show features a diverse ensemble of performers, each bringing their unique perspective and talents to the table.

The production's biggest strength lies in its visual and sonic design. The set, designed by Mimi Lien, is a marvel of versatility, shifting seamlessly from a dystopian cityscape to a intimate living room. The sound design, crafted by Ryan Hearn, is equally impressive, weaving together a rich tapestry of music, sound effects, and spoken word.

However, despite these impressive technical elements, the show's narrative and character development often feel disjointed and unclear. The story, such as it is, follows a group of individuals as they navigate a world in chaos, but the connections between them are tenuous at best. The characters, too, are underdeveloped, with many feeling like mere ciphers rather than fully fleshed-out human beings.

The cast, however, is a different story altogether. Standout performances come from a handful of talented artists, including the versatile and charismatic Emily Davis, who brings a depth and nuance to her character that is all too rare in this production. Others, such as the dynamic and physically gifted dancer, Akilah Harper, also shine in their respective roles.

Ultimately, "Voices Carry" is a show that feels like it's still searching for its own voice. Despite its impressive ambitions and technical prowess, the production often feels like a collection of disparate parts rather than a cohesive whole. With a bit more focus and attention to storytelling, this talented cast and crew could create something truly special. As it stands, "Voices Carry" is a promising but flawed effort that, while not entirely unsuccessful, ultimately fails to live up to its full potential.

**Rating:** 3/5 stars

**Recommendation:** Fans of experimental theatre and those interested in pushing the boundaries of storytelling may find "Voices Carry" an intriguing, if imperfect, production. However, those seeking a more traditional or cohesive narrative may want to look elsewhere.

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