Just caught English National Ballet's *R:Evolution* triple bill, and wow—what a statement. Curating Balanchine, Forsythe, and Graham together isn't just ambitious; it's a declaration. And ENB delivered.
First up, Balanchine. Clean, sharp, almost mathematical—but pulsing with life. The dancers handled his intricate patterns with a cool precision that never felt cold. It’s a style that demands absolute clarity, and the company moved as one living, breathing mechanism. A stunning opener.
Then, Forsythe. If Balanchine is geometry, Forsythe is controlled chaos. Deconstructed lines, off-balance turns, a beautiful sense of rebellion. The dancers leaned into the athleticism and unpredictability, owning the stage with a fearless, contemporary edge. It felt fresh, urgent, and totally captivating.
Closing with Martha Graham was a bold, brilliant choice. After the sleekness of Balanchine and the frenzy of Forsythe, Graham’s raw, grounded emotion hit hard. The dramatic intensity, the contraction and release—it’s a different language altogether, and the dancers spoke it with conviction. A powerful, visceral end to the night.
What’s remarkable is how ENB seamlessly shifted between these three distinct voices. It’s not just about technique—it’s about embodying entirely different artistic souls in one evening. This program doesn’t just showcase versatility; it makes a case for ballet’s ever-evolving relevance.
If you get a chance to see this triple bill, don’t hesitate. This is English National Ballet at its most dynamic and daring. A must-see for anyone who believes ballet is very much alive and kicking.
