If you’re in New York City this weekend, cancel your plans. Seriously. Brad Walls’ *PASSÉ* exhibition isn’t just another art show—it’s a breathtaking reinvention of how we see ballet, and it’s only here for a flash.
Walls, known for his mesmerizing aerial photography, has turned his lens toward the world of ballet, and the result is nothing short of magic. By shooting from above, he transforms dancers into living geometry—their bodies forming perfect lines, curves, and patterns against minimalist backgrounds. It’s ballet, but not as you’ve ever seen it: no stage, no curtains, just pure form and emotion frozen in mid-air.
What really gets me about this exhibit is how it plays with perspective. We’re so used to watching ballet from the front, seeing the sweat and strain up close. But Walls gives us a god’s-eye view—one that highlights the almost mathematical beauty of movement. It’s like he’s uncovered a hidden language of shapes written by the dancers themselves.
This isn’t just pretty pictures; it’s a statement. In a world oversaturated with content, Walls makes us pause and appreciate the elegance of discipline and the art of repetition. Each photo feels like a quiet rebellion against chaos—a moment of perfect order.
So yeah, if you can, go. It’s a rare chance to see ballet break free from the theater and become something entirely new. And if you can’t? Follow his work online. This is the kind of creativity that doesn’t just deserve attention—it demands it.
