There’s something timeless about George Balanchine’s choreography—a magic that refuses to fade, even as dance evolves. The Royal Ballet’s recent program, *Balanchine: Three Signature Works*, proved just that, delivering a masterclass in precision, emotion, and sheer artistry.
### **Serenade: Where Poetry Meets Precision**
*Serenade* isn’t just a ballet; it’s a mood. The way the dancers move in unison, their limbs slicing through space like brushstrokes on canvas, is hypnotic. Critics raved about the Royal Ballet’s rendition, and it’s no surprise—this piece demands both technical rigor and emotional vulnerability. When done right, it feels like watching moonlight given form.
### **Prodigal Son: Drama in Every Step**
If *Serenade* is poetry, *Prodigal Son* is a full-blown epic. The storytelling here is visceral, with the titular character’s downfall and redemption playing out in every anguished leap and desperate crawl. The Financial Times called out "thrilling debuts," and honestly, nothing hits harder than a dancer throwing their entire body into Balanchine’s dramatic vision.
### **Symphony in C: Pure Joy**
Closing with *Symphony in C* was a stroke of genius. This piece is Balanchine at his most exuberant—a celebration of classical ballet’s power, set to Bizet’s soaring score. The corps de ballet moved like a single organism, radiating energy that left the audience buzzing. Gramilano nailed it: this *was* Balanchine at his best.
### **Why This Program Matters Now**
In 2025, where dance trends shift faster than ever, Balanchine’s work remains a North Star. His ballets don’t just showcase technique; they remind us why ballet *matters*. The Royal Ballet’s performances weren’t just a tribute—they were a testament to how alive his choreography still feels.
If you missed it? Pray for a revival. Because Balanchine, even decades later, still has the power to leave us breathless.
—*DanceWAMI*
