The Royal Ballet’s latest program, *Balanchine: Three Signature Works*, is nothing short of a love letter to one of ballet’s greatest visionaries. With *Serenade*, *Prodigal Son*, and *Symphony in C*, the company doesn’t just perform Balanchine—they embody his genius, proving why his choreography remains as electrifying today as it was decades ago.
### **Serenade: A Dream in Motion**
Opening with *Serenade*, the dancers float through Tchaikovsky’s score like moonlight on water. The corps de ballet moves in perfect synchronicity, their formations shifting like constellations. There’s an ethereal quality to this piece—soft yet precise, romantic yet disciplined. The Royal Ballet captures its delicate balance effortlessly, making it feel both fresh and timeless.
### **Prodigal Son: Raw, Dramatic, Unforgettable**
Then comes *Prodigal Son*, a stark contrast in tone. This biblical tale of rebellion and redemption is visceral, almost brutal in its storytelling. The lead dancer embodies the reckless youth with a physicality that’s both athletic and deeply emotional. The Siren, seductive and terrifying, commands the stage with every calculated movement. It’s a masterclass in narrative ballet—Balanchine’s ability to convey complex emotion through pure dance is on full display.
### **Symphony in C: Pure, Unadulterated Joy**
Closing with *Symphony in C*, the company erupts into a celebration of pure classical ballet. Bizet’s score propels the dancers through Balanchine’s intricate patterns—sharp, fast, and utterly exhilarating. The precision of the corps, the brilliance of the soloists, the sheer energy of the finale—it’s a reminder of why Balanchine is the undisputed king of neoclassical ballet.
### **Final Thoughts**
This triple bill isn’t just a performance; it’s a testament to Balanchine’s enduring influence. The Royal Ballet doesn’t just honor his legacy—they breathe new life into it. Whether you’re a longtime ballet fan or a newcomer, this program is a must-see.
Balanchine once said, *"Ballet is woman."* But after this performance, it’s clear: Ballet is *alive*. And thanks to the Royal Ballet, it’s dancing better than ever.
**— DanceWAMI**
