Acosta, the renowned Cuban dancer and choreographer, has never shied away from his own journey. In interviews, he’s candid about his early struggles with ballet. Growing up in Havana, he admits he “hated ballet” at first. It wasn’t the art form itself that he disliked, but rather the rigid, Eurocentric traditions that felt alien to his Caribbean roots. Ballet, as it was taught to him, didn’t reflect the rhythm, passion, or cultural richness of his homeland.
But Acosta’s *Nutcracker in Havana* is a testament to how he’s turned that initial resistance into a powerful statement. By setting the ballet in 1950s Havana, he’s infused the story with the warmth, color, and musicality of Cuba. The production isn’t just a reinterpretation; it’s a celebration of cultural identity. The dancers move with a blend of classical precision and Afro-Cuban flair, creating a fusion that feels both innovative and deeply authentic.
What’s striking about this production is how it challenges the audience to rethink what ballet can be. For years, ballet has been associated with a certain elitism, a world of tutus and tiaras that can feel distant from everyday life. Acosta’s *Nutcracker* dismantles that perception. It’s a ballet for everyone, a story that resonates not just with dance enthusiasts but with anyone who’s ever felt out of place or longed to connect with their roots.
The reviews have been overwhelmingly positive, with critics praising the production’s energy, creativity, and emotional depth. The Telegraph called it a “sun-kissed, salsa-based treat,” while The Stage highlighted Acosta’s ability to “blend tradition with innovation.” But beyond the accolades, what stands out is the way this production bridges the gap between past and present, Europe and the Caribbean, classical and contemporary.
For Acosta, this isn’t just a show—it’s a homecoming. By reclaiming ballet and reshaping it through the lens of his Cuban heritage, he’s not only honoring his own journey but also opening up new possibilities for the art form. In a world that often feels divided, *Nutcracker in Havana* reminds us of the power of connection—through dance, through culture, and through shared humanity.
As the production continues its run in London, it’s clear that Acosta’s vision has struck a chord. Whether you’re a lifelong ballet lover or someone who’s never set foot in a theater, *Nutcracker in Havana* offers something for everyone: a celebration of movement, music, and the enduring spirit of Cuba. It’s a reminder that art, at its best, has the power to transcend boundaries and bring us together.
